Myanmar contemporary art took root around 1986/1987, with artists Aung Myint and San Minn paving the way for this artistic movement. They broke free from traditional Myanmar styles, embracing a more contemporary approach in their artworks. San Minn's surrealistic artworks shed light on the hardships faced by society under political oppression, while Aung Myint's installations portrayed the suffering of human life. These artists' works were a reflection of the current situation, making them prominent figures of contemporary art.

 

After the 8888 Uprising in 1988, contemporary art gained significance as a means to express and respond to the political oppression imposed by the military junta. In December of the same year, Myanmar's first Modern Art and Contemporary Art gallery, "Inya Art Gallery," was established. This gallery became a spot for young people and emerging artists. 

 

In 1997, Artist Po Po's solo exhibition played a crucial role in showcasing and emphasizing the essence of Myanmar contemporary art. Aung Myint and Htein Lin took the lead in contemporary art during the same year. Nyein Chan Su took the spotlight the following year, and in 1999, Aye Ko joined them. Followed by Nyo Win Maung, San Oo, and Phyu Mon, who made significant contributions during this period. Also, performance art became widely practiced. In 2000, Aye Ko's photo arts and visual arts further elevated the awareness of contemporary art in Myanmar. 

 

Myanmar contemporary artists used their artworks to address a wide range of issues, including social, LGBTQ+, gender, human rights, and environmental concerns. Post-2000, contemporary artworks increasingly tackled political and social matters. In 2009, the term "contemporary art" gained proper recognition during the ASEAN Contemporary Art Exchange Program, hosted by the New Zero Art Group.

 

The younger generation of artists appeared to be adopting the contemporary language, while there are  many  still practicing out of  the traditional rule book.  However, it is difficult to gauge  where the trends are heading in the future.

The current outlook in 2023 is misty…

 

translated by The Inya

The original post was written in Burmese by Artist Aye Ko.